medium wide shot
the frame size i keep coming back to. close enough to feel the character, wide enough to see their world.
over time, i found myself drawn to certain frames.
the more i watched, the more i noticed a pattern.
and when i think of frame space
i always return to the medium-wide shot.
it’s where my eye naturally lands.
close enough to feel the character,
wide enough to see their world.
it gives room for blocking, for background detail,
for light to shape the space.
and it demands real decisions.
you can’t hide behind shallow depth or tight coverage.
everything is visible.
so everything must be intentional.
i keep coming back to this frame size
because it holds both presence and context.
the character and their surroundings, together.
for me, that’s where the story starts to speak.
references
- Where Is the Friend's House? , 1987 · dp Farhad Saba · dir Abbas Kiarostami
- Heli , 2013 · dp Lorenzo Hagerman · dir Amat Escalante
- Mickey and the Bear , 2019 · dp Conor Murphy · dir Annabelle Attanasio
- Blue Sun Palace , 2024 · dp Norm Li · dir Constance Tsang
- Nowruz · dp João de Botelho · dir João de Botelho
- The Girl on the Train , 2016 · dp Charlotte Bruus Christensen · dir Tate Taylor
- The Art of Self-Defense , 2019 · dp Michael Ragen · dir Riley Stearns
- Joma — Mother's Day · dp Tim Fok
- KIA × FIFA — Every Four Years · dp Olan Collardy